Everyone who saw it wondered how this kaleidoscopic new take could be applied elsewhere: James Bond: Across the James-Bond-Verse, or Bilbo Baggins: Beyond the Bilbo-Baggins-Verse. The Spider-Verse was a cosmos in which different Spider-folk existed in parallel: a multiverse at least as interesting as that of Dr Strange, and more interesting than the solemn awards-prestige of Everything Everywhere All at Once. Instead of yet another MCU live action version, directed and produced in that hard, depthless CGI light, Spider-Man: Into the Spider-Verse was a brilliantly inventive animated fantasia about the Spidey mythology, riffing on movies and comic books.
I n 2018, writers Phil Lord and Rodney Rothman gave us a delirious and utterly unexpected new web-spin on the infinite self-replication of Marvel Comics IP and its most reliable hero, Spider-Man.
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